They headed north to ... the poorest neighborhoods. The houses were shanties made of stone, brick, and corrugated aluminum siding. With the snow continuing to fall, they made their way from house to house: Serdar Bey would knock on a door, and if a woman answered he would ask to see the man of the house, and if Serdar Bey recognized him he would say in a voice inspiring confidence that his friend, a famous journalist, had come to Kars all the way from Istanbul to report on the elections and also to find out more about the city—to write, for example, about why so many women were committing suicide—and if these citizens could share their concerns, they would be doing a good thing for Kars. A few were very friendly, perhaps because they thought Ka and Serdar Bey might be candidates bearing tins of sunflower oil, boxes of soaps, or parcels full of cookies and pasta. If they decided to invite the two men in out of curiosity or simple hospitality, the next thing they did was to tell Ka not to be afraid of the dogs. Some opened their doors fearfully, assuming, after so many years of police intimidation, that this was yet another search, and even once they had realized that these men were not from the state, they would remain shrouded in silence. As for the families of the girls who had committed suicide (in a short time, Ka had heard about six incidents), they each insisted that their daughters had given them no cause for alarm, leaving them all shocked and grieved by what had happened.SOURCE: Snow, by Orhan Pamuk (Vintage, 2004), pp. 11-12 (Read chapter 1 here.)
They sat on old divans and crooked chairs in tiny icy rooms with earthen floors covered by machine-made carpets, and every time they moved from one house to the next, the number of dwellings seemed to have multiplied. Each time they went outside they had to make their way past children kicking broken plastic cars, one-armed dolls, or empty bottles and boxes of tea and medicine back and forth across the way. As they sat next to stoves that gave out no heat unless stirred continuously, and electric heaters that ran off illegal power lines, and silent television sets that no one ever turned off, they heard about the never-ending woes of Kars.
In under 500 words, Orhan Pamuk limns a complex Brueghelian landscape of social as well as material relations.