Wartime Memory Wiped Clean, 1945

From Japan, 1941: Countdown to Infamy, by Eri Hotta (Vintage, 2013), pp. 397-400:

ON AUGUST 17, 1945, three days after the emperor announced on the radio Japan’s total defeat, Prince Higashikuni became the first (and most probably the last) prime minister chosen from the imperial house. It was up to him to disarm the nation, hand over the country to the Allied occupation forces, sign the document accepting Japan’s unconditional surrender, and, most critically, raise the morale of the thoroughly devastated nation.

The prince was a good orator who spoke simply and convincingly. On September 5, addressing a parliamentary session that included American GIs in the audience, Higashikuni insisted that the Japanese not dwell on the question of how the war was started and instead look forward. He proposed that the whole nation of one hundred million was to blame and so the whole nation had to repent. This was the same nation that had been told, until very recently, to fight until the bitter end, armed only with spears and helmets of bamboo. Higashikuni’s argument had some merit, especially in the late summer of 1945, when so much work lay in front of the Japanese people. But his words set the tone for Japanese leaders as well as those who followed them to overlook the most basic question of responsibility: Who was responsible for starting the war? The suggestion that the war might have been unnecessary was too difficult for any Japanese to accept, having lost so much and so many in the war. But this neglect, legitimized as a matter of official policy, in turn encouraged the general temptation to do away with various other kinds of responsibility, such as coming to terms with its war crimes and remembering the war after it was over.

This, of course, does not mean that people could forget what they had lived through. Contrary to received opinion, some serious attempts have been made in Japan to examine aspects of the country’s wartime past. Soldier U, who lived to be eighty-four, had enough time to reflect, discreetly and quietly, on his experiences. Though he never discussed any of them in his lifetime, he cared enough to leave a written record, unbeknownst even to his family.

Yet by claiming that every Japanese was to blame for the war, Higashikuni implied that nobody was to blame, fudging and diluting the real responsibility of the leaders who brought Japan to that momentous decision. Prince Konoe, who resurfaced as a public figure in Higashikuni’s cabinet, was doubtless the first to support this line of argument. Conservative politicians, in power for most of the postwar period, were only too happy to inherit such a partial and incomplete rendering of Japan’s past. Despite the efforts of some individual citizens, academics, and journalists to have a more honest debate, it is difficult to deny that Japan’s official impulse has been to look away from what is undesirable and unpleasant in its history. And this pattern was perpetuated as much, if not more, by what Kafu had so astutely noted on the eve of Pearl Harbor as the fundamental indifference to politics among many Japanese, absorbed as they were by their “primary pursuit … to pass one day at a time without encountering too much trouble,” as by the misplaced desire of some politicized right to impart glory to Japan’s lost war.

In 1952, Gone with the Wind was finally released to general audiences in Japan, and it became a huge box-office hit. Many Japanese identified with the spirited, impetuous, and indomitable southern belle Scarlett O’Hara, who remained determined to rise above any obstacles, even after having lost almost everything that mattered to her. Her celebrated last words, “After all, tomorrow is another day,” resonated with the generation of postwar Japanese trying to glimpse a better future through the wreckage of war. That was exactly what Japan opted to do—and that is why the past, with its improbable story of how the war came to pass, became another country.

I remember seeing two U.S.-made war films during my youth in Japan. The first was in 1959 or so in Aomori, where my brother and I went (by ourselves by train) from Kyoto to visit another missionary family with boys our age. The film was about the Korean War, maybe Pork Chop Hill, and I remember wondering whom the Japanese audience members might have felt more sympathy for: the Americans, the South Koreans, the North Koreans, or the Chinese. In the mid 1960s, I remember seeing The Bridge Over the River Kwai in a Japanese theater in Kobe, where I was in high school. I wondered how many survivors of the wartime generation, if any, were in the audience. Among my very earliest wartime-related memories in Japan was the sight of Japanese army veterans dressed in white but wearing their green field caps (略帽), perhaps missing a limb, begging from passersby in inconspicuous sheltered places, like pedestrian underpasses. Japan's veterans who survived their wars in Asia and the Pacific received very little public support. See my blogpost on Rehabilitating Japanese War Veterans.

Japan's Homeland Disasters, 1944-45

From Japan, 1941: Countdown to Infamy, by Eri Hotta (Vintage, 2013), pp. 394-397:

BY THE MIDDLE OF 1944, the anticipation of worse things to come on the home front led to a new policy. The government, still under Tojo’s leadership, announced an evacuation program for primary schoolers from thirteen metropolitan cities. The children, ranging in age from eight to twelve, were moved to the countryside, where they lived in large groups; for many, it was the first time away from their parents. They were usually put up in extremely rudimentary and overcrowded rooms of Buddhist temples or traditional inns. In all, about eight hundred thousand city children experienced this collective evacuation, characterized by perpetual hunger, homesickness, and spartan living. It would form a major part of their generational memory.

Newspapers and magazines saw the evacuation program through rose-colored glasses; they reported that the children were enjoying fresh country air and featured photos of their smiling—though clearly undernourished—faces. One photo showed a group of small boys squatting on the bathroom floor in a big circle, each scrubbing the back of the boy in front of him. They look to be having fun, but their astonishingly skinny naked bodies make one wonder how they had any energy left for smiling, let alone back scrubbing.

Without access to food other than whatever little was given them, the evacuated children suffered from hunger first and foremost. The greatest pastime for them was to draw food. “Sponge cakes, dumplings, pastries, shortcakes, caramels, rice crackers … we drew them all—absolutely every snack in this world one could remember,” one woman recalled. “Then we showed them to one another and enjoyed discussing how wonderful they would taste if we really were to eat them.” Complaining, unhappy letters home were systematically discouraged, and their teachers checked all mail before it was sent out. State censorship and confiscation of correspondence, legalized in October 1941, were exercised even at this level voluntarily.

This haphazard evacuation program was a direct response to the threat of a U.S. landing on the Japanese mainland, which seemed especially likely after the United States captured Saipan, fifteen hundred miles south. The island fell on July 7, 1944, and more than 55,000 Japanese, including civilians, died there. (Made a Japanese mandate by the League of Nations in 1920, Saipan had a Japanese population, including colonial Taiwanese and Koreans classified as Japanese, of 29,348 in 1943.) Vice Admiral Nagumo and other navy commanders ordered their soldiers to “die a hero’s death” and to become the “Pacific seawall” against the United States. Nagumo set a precedent by committing suicide on July 6, before the island’s conquest. The same “ultimate sacrifice” was also expected of civilians in the absence of any protection offered by the military. Too many chose death over surrender, sometimes coaxed by the remaining Japanese soldiers, who made sure that nobody was to suffer the shame of being taken captive.

The haunting proof of patriotic allegiance was captured on film by the U.S. Marines. Civilians, many of them women and some with babies and children, stumbled toward the edge of volcanic cliffs to make their final leaps. One can feel their slight hesitation and momentary fear as they looked down into the abyss of black seawater. But by sheer force of determination, they overcame their fear and jumped. “Banzai!” (“Live forever!”—or, more accurately in this case, “Long live the emperor!”) was often the last word of those loyal subjects of the empire. More civilians would commit suicide on the islands of Tinian, Guam, and Okinawa in the face of the U.S. advance. Japanese losses in the Pacific were so great that they could not be kept a secret any longer. The Saipan calamity was reported to the Japanese nation on July 18, 1944, along with the resignation of the Tojo cabinet. Two days after Tojo’s fall, on July 20, Operation Valkyrie, the most nearly successful of all the assassination attempts on Hitler, was carried out. With renewed fanaticism, the Führer would continue to lead Germany until his suicide.

...

Meanwhile, life had to carry on, and children continued to be evacuated. On August 22, 1944, about seven hundred children, in transit from Okinawa to Kagoshima, perished at sea. The U.S. submarines were already that close. The ill-orchestrated evacuation program ended in March 1945, and city families were urged to make individual arrangements to ensure the safety of their children. Family reunions were often brutally short-lived. Many children from Tokyo were sent back home just in time to experience the worst (but not the last) air raid unleashed on the city: the one in the early-morning hours of March 10, ...

With the destruction of almost every Japanese city and the constant announcements of soldiers’ deaths, Japanese morale could not have been lower. Surviving death—from disease, hunger, or the incendiary bombs that grilled alive newborns and old people alike—had become the utmost national priority. A distraught mother who embraced her baby to the point of suffocation while seeking shelter during a bombing raid, a schoolgirl trying to float her way to safety down a river filled with dying people clinging to her, people navigating heaps of charred bodies as they looked for their missing family members—stories like these were becoming all too common. The Meiji Palace, where the imperial conferences had taken place, was burned down in May 1945, forcing the leaders to hold the final two imperial conferences before Japan’s unconditional surrender in an air-raid shelter.

Life in the countryside was less pressed, though things were scarce. Toddlers innocently competed with one another to collect plant roots, a substitute staple for rice, and grasshoppers, an invaluable available source of protein and calcium for growing children. Students were sent into the forests for pine sap to make gasoline (which never quite worked), and all households were ordered to turn in their metal, including buckets and ladles, to make airplanes. “We must be losing the war,” said one farm boy at the time, deducing that the government wouldn’t otherwise sink so low as to take utensils from poor people’s kitchens. But uncomplaining, and with a degree of fatalism, the nation endured the horrid times as if it were dealing with a series of relentless natural disasters rather than man-made ones.

In the midst of all this, a very select group of Japanese, mainly military officers but also some filmmakers, university students, and other civilians, had a rare chance to see films that the British had left behind in Southeast Asia. One of them was Gone with the Wind. The Japanese were amazed by the quality, technical superiority, and glamour of the nearly four-hour-long saga. They wondered how they could possibly defeat a country that had managed to produce such an astonishing film. (Another film left behind was Walt Disney’s 1937 Snow White and the Seven Dwarfs, whose quality far surpassed that of Japanese animation technology.)

Japan-U.S. Prisoner Exchange, 1942

From Japan, 1941: Countdown to Infamy, by Eri Hotta (Vintage, 2013), pp. 385-387:

On the night of June 18, 1942, the Gripsholm of the Swedish American Line set sail from New York with a group of Japanese nationals aboard who had been detained in various makeshift camps, including one on Ellis Island. The Japanese government, in return, had dispatched the Asama Maru from the port of Yokohama, and later the Italian ship Conte Verde from Shanghai, carrying North and South American nationals home. Some of the notable faces among the Japanese group were Nomura and Kurusu. On the day of Japan’s attack on Pearl Harbor, December 7, 1941, the two men endured the most unnerving public humiliation imaginable for any diplomat. To ensure the success of the military operations in Hawaii and Malaya, the Japanese government kept the two ambassadors completely in the dark about its decision to go to war. They were notified of Tokyo’s intention to terminate diplomatic relations only hours before the attack.

The Japanese embassy’s inability to cope with the last-minute nature of Tokyo’s instructions did not help Nomura and Kurusu in their final mission of communicating to the White House the end of diplomacy, either. Tokyo had ordered Nomura and Kurusu to see Hull at 1:00 p.m., shortly before the first bomb was to be dropped on Pearl Harbor. Because the diplomatic communication, consisting of fourteen parts, was late in being typed up for delivery, the two Japanese diplomats were shown into Hull’s office at 2:20 p.m., utterly unaware that their country had already attacked the United States.

...

IN THE MONTHS that followed the opening of the war in the Pacific, Nomura, Kurusu, and other Japanese nationals awaited deportation in cramped resort hotels that had been turned into temporary detention camps (luxurious lodgings compared with the internment camps that many Japanese immigrants and Americans of Japanese descent were forced to live in). In Hot Springs, Virginia, and then in White Sulphur Springs, West Virginia, Kurusu had ample time to reflect on what had gone wrong in his last-minute quest to secure peace between the two countries.

...

It was not until the summer of 1942 that Kurusu learned what had really been going on during those last ten days before Japan’s attack. In Japanese-occupied Singapore, where the Gripsholm made a brief stop, Kurusu heard army officers recount how difficult it was for them to prepare for attacks in the run-up to the war since the military leaders in Tokyo had not decided to go to war until November 26.

ON JULY 20, 1942, the Gripsholm, having picked up and crammed aboard even more detained Japanese in Rio de Janeiro, entered the port of Lourenço Marques (Maputo) in Portuguese Mozambique. Two days later, the Asama Maru and the Conte Verde, flying Japan’s Rising Sun flag, anchored at the same port in the Indian Ocean. It was there that the actual citizen exchange between the warring parties took place. The Japanese from North and South America quietly organized themselves and resettled on the two ships coming from Japan. There was no direct contact between the people from the Allied and Axis camps. But while waiting at the port, Nomura and Kurusu both spotted the tall figure of Ambassador Grew in the other group. He recognized them, too. Kurusu immediately recalled his interview with Grew the night before his departure for Washington in early November of the previous year. The uneasy physical distance between them was ample proof of the peace that had eluded them. The three men took their hats off in silent acknowledgment of one another.

The ships carrying the Japanese nationals reached Yokohama, Kurusu’s hometown, on August 20, 1942. By then, Japan’s preponderance at sea was declining precipitously. The balance of power had been tipped. From June 4 to 7, the Imperial Japanese Navy fought one of the most devastating naval battles in modern history, the Battle of Midway. The same men who planned the Pearl Harbor attack conceived of the Midway strategy, hoping to eliminate the United States from the Pacific once and for all. The operation ended in disaster for Japan. By this time, the Japanese military code had been broken by the United States (whereas at the time of the Pearl Harbor attack, only the diplomatic code had been broken). The Japanese navy was dragged down from its glorious pinnacle only six months after it had reached it.

All this was unknown to most Japanese.

Ambassador Kurusu Profile

From Japan, 1941: Countdown to Infamy, by Eri Hotta (Vintage, 2013), pp. 337-340:

DESPITE HIS UNQUESTIONED INTELLECT and experience, Kurusu was an unfortunate choice in a public relations sense. To the outside world, Kurusu was known only as the man who signed the Tripartite Pact, having been photographed next to Hitler at the height of German-Japanese friendship. He was actually strongly opposed to the pact but was obliged to sign it as Japan’s ambassador to Germany in the autumn of 1940. Kurusu never wanted the Berlin job and had turned it down several times. He was ready to retire after his tenure in Belgium, where he was posted from 1936 to 1939. His time in Brussels coincided with the outbreak and intensification of the China War under the first Konoe government. He tried in his capacity as ambassador to initiate a settlement of the China conflict through the mediation of the Belgian and French governments. He knew that Japan lacked any coherent plans for that war and, more damningly, an effective leader. The escalation, in his words, came about because “the government always allowed itself to be dragged along by the faits accomplis in the field without any prospects of long-term solution.” Worse, there was “no coordination within and between the army and the navy” and everyone was “preoccupied with saving face and evading responsibilities.”

Kurusu could not have envisioned that things would get so bad so fast when he and his family, along with a crowd of enthused spectators, welcomed the record-setting Kamikaze aviators at the Brussels airport in April 1937. Kurusu accepted the ambassadorship to Berlin in 1939 only in the hope that he might prevent Japan’s diplomatic course from going further astray. Once in Berlin, he continued to seek ways to settle the China War through the third-party intervention of Germany. But just as things seemed to be moving in the right direction, Konoe, in his second premiership, recognized Wang Jingwei’s China, thereby alienating Chiang Kai-shek forever.

Kurusu was soon left out of all key communications between German and Japanese officials. Hitler’s government judged that Japan could not be wooed sufficiently through Kurusu, and the agreement on the Tripartite Pact was hastily reached between Matsuoka and a German envoy visiting Tokyo. Nonetheless, because Kurusu was photographed standing side by side with Hitler, his reputation became forever tainted.

Kurusu was so disgusted by that and other experiences in Germany that he requested to be relieved of his post and was allowed to leave Berlin in February 1941. Back in Japan, he led the life of a recluse, turning down government appointments, including a position in Tojo’s cabinet. Kurusu, however, could not reject the emergency call to Washington. A peaceful settlement of U.S.-Japanese differences was something he truly desired. He was pro-Anglo-American at heart. Perhaps as the son of the successful industrialist who had developed the cosmopolitan port of Yokohama, he had the appreciation of mercantile liberalism in his blood. The port town served as the window to the world during Japan’s rapid modernization and was known for its unsentimental, practical people like Kurusu.

Kurusu also had a personal stake in the future of the United States and Japan. He was married to an American from New York City born to British parents (her father was an Anglican clergyman). Kurusu wanted to do everything in his power to avoid a war between the two countries that meant the most to his family. It was to be a perilous mission. There were some on the Army General Staff who openly said they wished Kurusu’s plane would crash. With such ill wishes behind him, he departed for Taiwan in the early morning of November 7.

PM Tojo & FM Togo, 1941

From Japan, 1941: Countdown to Infamy, by Eri Hotta (Vintage, 2013), pp. 299-300:

Upon leaving the palace, Tojo directed his car first to the Meiji Shrine, then to the Togo Shrine (built in honor of the Russo-Japanese War hero Admiral Togo Heihachiro, who defeated the czar’s Baltic Fleet), and finally to the Yasukuni Shrine (where the souls of soldiers who died in the empire’s past wars were enshrined). After an hour or so of hopping between shrines in central Tokyo, Tojo returned to the army minister’s official residence. The news of his appointment had already reached the members of his staff, who congratulated him. But Japan’s new prime minister was in no mood to celebrate. He realized the enormity of the task he now faced. That evening, in his absurdly principled way, he ordered that no one from the army should enter his office, which he now declared to be purely civilian territory. He made telephone calls in an effort to fill ministerial positions. He appointed himself army minister and home minister. Then he tapped Togo Shigenori, the veteran diplomat who had served as the ambassador to the Soviet Union, to be his foreign minister.

Togo, a sixty-year-old dandy with copious graying hair, was married to a German woman and had once wished to become a German literature scholar. He was averse to Nazism; his brief tenure as an ambassador to Germany from 1937 to 1938 was terminated partly because of his frosty relationship with Foreign Minister Joachim von Ribbentrop. Neither pro-Anglo-American nor pro-Axis, Togo was a genuine Japanese patriot. He wore his patriotism on his sleeve perhaps because he felt that no matter how successful he was in his professional career, he was vulnerable to being labeled an outsider. Born as Park [= Boku] Shigenori in Kagoshima, a southwestern city on the southern island of Kyushu, he came from a long line of Korean potters who were forcibly brought to Japan at the end of the sixteenth century and had remarkably preserved their language and culture over many generations. His father, a successful businessman, bought the Japanese family name Togo when Shigenori was five. (Contrary to popular belief, Togo was no relation to Admiral Togo, the Nelson of the East.)

On the whole, Togo was a much more reasonable and sensible choice than [Admiral] Toyoda, the departing foreign minister, had been. He was an experienced diplomat whose skills could be put to good use. Togo had his reservations. Before midnight, he went to see Tojo and asked whether the would-be premier was ready to make difficult concessions to avoid war. The stiff army man responded to the suave diplomat that things were very different now. “I do not have any problem reexamining the issue once again,” Tojo said. The reexamination implied extracting concessions from the army, including the withdrawal of already mobilized troops, in order to give the new foreign minister more room for diplomatic maneuver with the United States. Upon this pledge of honor, the unlikely Tojo-Togo team was born.

Japan's Wartime Censorship, 1941

From Japan, 1941: Countdown to Infamy, by Eri Hotta (Vintage, 2013), pp. 286-287:

On January 11, 1941, the government issued, as a supplement to the National Mobilization Law, a set of regulations concerning newspapers and other media. Sensitive matters of military, diplomatic, and fiscal policies could no longer be officially written or spoken about, and there were detailed instructions regarding the coverage of resource shortages, weather forecasts (because of their potential strategic sensitivity), family problems (such as adultery committed by wives of soldiers fighting in China), and many other social topics that might obstruct successful mobilization on the home front. Though these rules certainly restricted newspaper reporting, freedom of the press in Japan was, and had been, nonexistent for some time.

As noted earlier, from the Manchurian Incident onward, major newspapers had been especially blatant in their support of state policies, appealing to patriotic fervor to compete in a fierce circulation war. When the Japanese invaded Manchuria, military men and journalists actively cultivated one another, drawing closer as more and more journalists were dispatched to the battlefront. Objective reporting was abandoned. The policy of selective reporting, concentrating on Japanese victories, continued after the outbreak of the China War, and by 1941, it had become impossible for the Japanese media to disentangle themselves from their dangerous liaison with the military.

The national radio monopoly NHK had always surpassed the newspapers in its self-conscious role as the mouthpiece of official policy. One day in May 1938, it aired what it touted as the first-ever live broadcast of a battle, from an unnamed site in Xuzhou in the eastern coastal province of Jiangsu in China. The announcer’s excited voice echoed all over Japan, describing what was developing in front of him as “the hell of victory.” In reality, the enemy forces had quickly retreated, and there had been little combat. But that was not what the listeners were told. “The fall of Xuzhou! The fall of Xuzhou! Dear listeners on the home front, it is, however, premature to hear your joyous cheers. The joy of victory still awaits us. Our greatest search-and-destroy mission goes on as I speak. So please, everyone back home, stay up all night tonight and pray for Japan’s greatest victory!” Under the spell of this adrenaline-filled call, many gathered at the Yasukuni Shrine, forming a long line to say midnight prayers. This was a dress rehearsal for the greater radio announcement of the morning of December 8, 1941.

Not all media had been as overtly uncritical as NHK or the major newspapers. The so-called general magazines, appealing to middlebrow and highbrow audiences and usually published monthly, featured political commentaries as well as literary pieces. They now were especially vulnerable. Their publishers were given the names of banned liberal contributors and were made to submit a list of subscribers, in addition to the detailed outlines of upcoming issues, to be approved by the Information Division of the government. Magazines for children were no exception. Japan’s young audience was dispirited in the fall of 1941 when a hugely successful ten-year-old cartoon serialized in a boys’ magazine came to an abrupt end; the tales of the adventures and exploits of the stray-dog soldier Norakuro were deemed disrespectful to the military not so much because they were critical of Japanese militarism but because the soldiers were all animals.

Demise of Polish Social Media

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