Journalism: Telling Whose Story?

From Seeing: A Memoir of Truth and Courage from China's Most Influential Television Journalist by Chai Jing, trans. by Yan Yan, Jack Hargreaves (Astra House, 2023), Kindle pp. 4-5:

I never wanted to be a news reporter. Journalism remained a monopoly when I began building my career. For a long time all Chinese people watched the same program, Joint News, on CCTV, which contained countless political meetings and aired every night at seven P.M. For me, all it meant was the start of dinnertime. The only CCTV program I watched was Oriental Horizon. What impressed me was the candid state of people’s lives on screen, full of struggles in a rapidly changing society, conflicting desires that led to inevitable consequences. I watched it as a work of art, not just as news. The slogan of these stories was “Telling the ordinary people’s own story.” After being ignored for a long time, ordinary people in a fast-rising society became protagonists on a national television station.

Chen Meng, a man who had never been trained by any official news school, created a slogan in 1993 to express the goal of China’s journalism reform at the time: “Turning propaganda into communication.” In the beginning, CCTV asked the program to “serve people” by teaching them how to cook. But when Chen Meng became a producer, he said, “If we serve people, we serve their spiritual life.” He put life in a shell. Chen Meng invited me to join CCTV in 2000. Since I was a young girl who hadn’t studied any news textbooks, he asked me to learn the principles of journalism from life: from the pain, joy, struggle, and bloody lessons of people in general and myself in particular.

Fourteen years later, I quit my job, went back to freelancing. I used what I had learned, and used some royalties from the book I’d published (which you’re now holding in your hands) to make a nonprofit documentary about air pollution in China. On February 28, 2015, I put it online. It got over three hundred million views before being removed seven days later. I left China then, and have been living in Europe ever since.

For those fourteen years, working at CCTV gave me the opportunity to travel to different places over a hundred and fifty days a year, to see my country, which was changing dramatically, and understand the trajectory of that change. What I saw showed me that China’s development depends on its ability to free people’s creativity from unnecessary shackles. It can explain the country’s stagnation, and it can also explain the country’s success; it can explain the past, and it will explain the future.

Chen Meng never told me why he chose me until he became seriously ill. The last time we talked in the hospital, he told me that eight years prior he had seen a young girl talking on TV. He didn’t remember what she had said and didn’t check her background, but he thought, “This girl has many flaws, but there is one thing about her I value—she doesn’t follow blindly.”

That was when he called me.