From The Island of Extraordinary Captives: A Painter, a Poet, an Heiress, and a Spy in a World War II British Internment Camp, by Simon Parkin (Scribner, 2022), Kindle pp. 2-4:
EIGHT WEEKS EARLIER, ON SATURDAY, July 13, 1940, Captain Hubert Daniel, a kindly, keen-drinking forty-eight-year-old army officer, had declared the camp open. Hutchinson was the seventh of ten internment camps to open on the Isle of Man, an island positioned sufficiently far from the neighboring coasts to be ideally suited for imprisonment. The island’s boat-owning residents had been instructed to stow the oars and remove the spark plugs from their vessels’ engines at night. Even if an escapee were to board a suitable craft, the journey to the mainland was perilous. If you were here, you were here for good.
Hutchinson was currently home to around twelve hundred prisoners, predominantly refugees from Nazi Germany who had been living peacefully in Britain at the time of their arrest. In recent months rumors abounded that a fifth column—a neologism to Britain, now universally understood to refer to traitors living within their country of asylum—had assisted the Nazi occupation of the Netherlands. Newspapers had stoked national paranoia with claims that a similar network of spies lurked in Britain.
Even before the outbreak of war, Scotland Yard, working in conjunction with MI5, the British domestic intelligence service, had been deluged with tip-offs about suspicious refugees and foreigners. The police detained one man when investigators found an entry in his diary that read: “Exchange British Queen for Italian Queen.” The detective assumed he had exposed a fascist plot against the crown. In fact, the man was a beekeeper, planning to overthrow only the tiny monarch that ruled his hive.
The police were first alerted to one of Hutchinson camp’s internees, the young art historian Dr. Klaus Hinrichsen, and his fiancée, Gretel, when a neighbor reported hearing the young couple’s lovemaking. The distrustful neighbor suspected the rhythmic knocking of the bed might contain a coded message. It was difficult, Klaus pointed out, to prove that one did not understand Morse code.
The recent German occupation of France meant an invasion attempt seemed not only plausible but imminent. Days after he became prime minister, Winston Churchill authorized the arrest of thousands of so-called “enemy aliens.” In the chaotic roundups that followed, thousands of Jews who had fled Nazi Germany—including some teenagers like Peter who came via the feted Kindertransport trains—were imprisoned by the same people in whom they had staked their trust, a nightmarish betrayal. The refugees that comprised the majority of tonight’s audience had experienced a collective trauma: to be imprisoned by one’s liberator is to endure an injustice of chronology.
Status and class, those twin, usually indefatigable armaments of privilege, had provided no protection. Oxbridge dons, surgeons, dentists, lawyers, and scores of celebrated artists were taken. The police arrested Emil Goldmann, a sixty-seven-year-old professor from the University of Vienna, on the grounds of Eton College, Britain’s most elite school. At Cambridge University dozens of staff and students were detained in the Guildhall, including Friedrich Hohenzollern, also known as Prince Frederick of Prussia, a grandson of Queen Victoria. That year’s law finals were almost canceled because one of the interned professors had the exam papers locked in his desk and had no time to pass someone the key. The police came for Peter in the early hours of the morning, without prior warning, a manner of detention that had reminded him of the Gestapo’s moonlit roundups and the muggy world of fear and distrust from which he had just fled.
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