Forsaking Poland for Africa

From Ryszard Kapuscinski: A Life, by Artur Domoslawski (Verso, 2012) Kindle pp. 119-120:

The expedition to Congo is a crucial element in the formation of Kapuściński’s world outlook, his view of the Cold War conflict and of the dilemmas and dramas of the times from the perspective of the Third World countries attempting to gain their liberty.

In an entry in his Political Diaries dated 23 June 1961, Polityka’s editor-in-chief, Mieczysław Rakowski notes: ‘Rysiek has finished a series entitled ‘‘Congo Close Up’’. We published twelve reports. Rysiek is a fantastic reporter. This is no ordinary journalism. This is political literature produced by a devilishly talented writer. We collected 2,687,138 zloty for the Lumumba Fund.’

A year later, in a popularity contest for Polityka’s writers, Kapuściński comes first. His reports from Ghana and Congo play their role in gaining him fame and public recognition, but this is not the only way he displays his talents. In less than two years of working at Polityka, Kapuściński has created his own language, a new literary style, with a poetic rhythm to his sentences and an original way of depicting things – free of the wooden, propagandistic phraseology of his early years as a journalist at Sztandar Młodych. It is this new language and new tone that make the then cub reporter Małgorzata Szejnert (later co-founder of Gazeta Wyborcza and head of its reportage department for fifteen years) think on reading one of his reports: ‘He writes as he wants to.’

‘He flourished at Polityka,’ says Daniel Passent. ‘He wrote articles that showed what was really happening in Poland, warts and all.’

Between the African trips, Kapuściński travels to the Polish provinces, but he is not yet aware that his current visits will be his farewell – as a reporter – to Poland. A curious farewell, because he had just begun to shine as an incisive observer of the Poles during the ‘minor stabilization’ when he went off on a completely different path.

‘He deserted,’ some people would say.

Kapuściński refutes the charges: ‘Africa and the Third World were a continuation of the heroic period of reportage in Poland.’