From City of Djinns: A Year in Delhi, by William Dalrymple (Penguin, 2003), Kindle pp. 95-96:
The Twilight is bounded by two of the greatest disasters in Delhi’s history: the Persian massacres of 1739 and the equally vicious hangings and killings which followed the British recapture of Delhi after the 1857 Indian Mutiny.
The first massacre took place in the wake of an unexpected invasion of India by the Persian ruler, Nadir Shah. At Karnal in the Punjab the newly-crowned Shah defeated the Mughal army and advanced rapidly on Delhi. He encamped at the Shalimar Gardens, five miles north of the city. Having been invited into Delhi by the nervous populace, Nadir Shah ordered the massacre after a group of Delhi-wallahs attacked and killed 900 of his soldiers in a bazaar brawl. At the end of a single day’s slaughter 150,000 of the city’s citizens lay dead.
Nadir Shah’s massacre exacerbated the decline of the Mughal Empire which had been steadily contracting since the death of Aurangzeb, the last Great Mogul, in 1707. By the end of the eighteenth century Delhi, shorn of the empire which gave it life, had sunk into a state of impotent dotage. The aristocracy tried to maintain the life-style and civilization of the empire, but in a ruined and impoverished city raped and violated by a succession of invaders. The destruction created a mood conducive to elegy, and the great Urdu writers made the most of the opportunity. ‘There is no house from where the jackal’s cry cannot be heard,’ wrote Sauda. ‘The mosques at evening are unlit and deserted. In the once beautiful gardens, the grass grows waist-high around fallen pillars and the ruined arches. Not even a lamp of clay now burns where once the chandeliers blazed with light...’
On the throne in the Hall of Audience in the Qila-i-Mualla, the Exalted Fort, sat the Emperor Shah Alam. He was a brave, cultured and intelligent old man, still tall and commanding, his dark complexion offset by a short white beard. He spoke four languages and maintained a harem of five hundred women; but for all this, he was sightless - years before, his eyes had been gouged out by Ghulam Qadir, an Afghan marauder whom he had once kept as his catamite. Like some symbol of the city over which he presided, Shah Alam was a blind emperor ruling from a ruined palace.
At his court, the elaborate etiquette of Mughal society was scrupulously maintained; poetry, music and the arts flourished. But beneath the surface lustre, all was rotten. Servants prised precious stones from the pietra dura inlay on the walls to sell in Chandni Chowk. The old court costumes were threadbare; the plaster was peeling. Mountains of rubbish accumulated in the city streets and amid the delicate pavilions of the Exalted Palace.
Unable to see the decay around him, Shah Alam still could not escape its stench.
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