Malabari's Impressions of Englishwomen, 1893

What strikes you most about Englishwomen is their look of health, strength, elasticity, all proclaiming a freedom of mind, to begin with. How they walk, and talk, and carry themselves generally! How they rush in and out, saying good-bye with the right hand turned towards themselves, meaning what our women in India always say, "vehela aujo," come back soon! How they kiss one another, and offer their children, even their cats and dogs to be kissed by the friends departing! Does this last ceremony show heart-hunger, or is it affectation? Here they are, half a dozen of them rushing into my omnibus (the Lord have mercy on an unprotected orphan!) squeezing themselves into their seats. I am between two of the prettiest and quietest, feeling a strange discomfort. As the bus hobbles along, I feel my fair neighbours knocking against me every moment. They do not seem to mind it at all; it is a matter of course. Why, then, should I cry out against the inevitable? Evil to him who evil thinks. We are all too busy here, reading the paper, chatting about the weather, minding our packages and our toes. Further, I find both my neighbours resting their parasols between them and me on either side. A straw shows how the breeze blows. The breeze that I have just discovered is very refreshing to my soul. I have also noted that respectable Englishwomen rather avoid entering a carriage occupied by men. It is mainly through such experience that I am learning to take a charitable view of ladies sitting on the knees of gentlemen, or gentlemen on the knees of ladies, when three of a family happen to be in one hansom, or more than ten in a railway carriage. These sights, queer as they are, do not offend me now. They would be an eyesore amongst our own people. I myself could hardly bear them at first; but that is no reason why I should judge others in such a matter, before I am well equipped to form a judgment.

I have said above that the average Englishwoman strikes me most by her healthy looks and active habits. But, as usual, there is another side to this picture. One often meets with the anaemic and the consumptive, victims of overwork, starvation, or dissipation, in themselves or their parents. How pathetic is the sight of one of these girls, moving softly like a ghost, with a frame so fragile as to be driven by the wind behind, with a transparent skin and glassy eyes, exhausted by the effort to creep on to the platform, and going directly to sleep in the carriage, with the delicate little mouth half open, as if to allow the breath of life to ebb out without a struggle! It fills me with grief to watch this fair slight being as if in the process of dissolution. And yet I sit there, fascinated by her presence, unmindful of time or distance.

SOURCE: "Malabari: A Love-Hate Affair with the British," in Other Routes: 1500 Years of African and Asian Travel Writing, edited by Tabish Khair, Martin Leer, Justin D. Edwards, and Hanna Ziadesh (Indiana U. Press, 2005), pp. 374-375