Some Loanwords in Indonesian/Malay: A

From: Loan-Words in Indonesian and Malay, ed. by Russell Jones (KITLV Press, 2007), ignoring the far too numerous loans from Arabic, Dutch, and English.

Chinese

aci (Amoy) elder sister
ahsiu (Amoy) dried, salted duck
a i (Amoy) aunt (addressing younger than speaker's mother)
akew (Hakka) term of address for boy ('little dog')
amah (Amoy) female servant
amho (Amoy) secret sign, password
amoi (Chiangchiu) younger sister; girl
ampai (Amoy) detective
angciu (Amoy) red wine
angco (Amoy) dried Chinese dates (Z. jujuba)
ancoa (Amoy) how can that be?
anghun (Amoy) shredded tobacco
angkak (Amoy) grains of red sticky rice (O. glutinosa)
angki (Amoy) persimmon (D. kaki)
angkin (Amoy) waist belt
angkong (Amoy) grandfather
angkong (Amoy) ricksha
anglo (Amoy) heating stove
anglung (Amoy) pavilion
angpai (Amoy) card game employing 56 cards
angpau (Amoy) present given at Chinese new year
angsio (Amoy) braise in soy sauce
angso (Amoy) red bamboo shoot
apa (Amoy) dad, father
apak (Hakka) old man, 'uncle' (lit. father's elder brother)
apék (Amoy) old man, 'uncle' (lit. father's elder brother)
apiun (Amoy) opium
asuk (Hakka) 'uncle', father's younger brother

Hindi

abaimana anal and urethral orifices (with regard to ablution)
acita fine rice
anggerka gown
antari inner
arwa saw-edged knife
aruda rue (bot.)
ayah Indian nurse

Japanese

anata you
arigato thank you
aza hamlet

Persian

acar pickles
adas fennel
aftab sun
agar in order to
agha nobleman
ahli versed in; member of
aiwan hall
ajaibkhanah museum
akhtaj vassal
almas diamond
anggur grape
anjir fig
arzak beautiful gem
asa mint
asabat nerve
asmani heavenly
atisnyak fiery, glowing
azad faultless

Portuguese

alabangka lever
alketip carpet
alpayaté tailor
alpérés ensign, sublieutenant
andor (obs.) a litter on which images of saints were borne
antero whole
aria lower away (naut.)
arku bow (of a kite)
aria, aris-aris bolt rope, shrouds (naut.)
arkus arches (triumphal, with festoons)
armada armada, squadron, naval fleet
asar roast; barbecue

Sanskrit

acara program, agenda
adi beginning, first, best, superior
adibusana haute couture
adicita ideology
adidaya superpower
adikarya masterpiece
adimarga boulevard
adipati governor
adipura cleanest (etc.) city (chosen annually)
adiraja royal by descent
adiratna jewel, beautiful woman
adisiswa best student
adiwangsa of high nobility
adiwarna glowing with colour
agama religion
agamiwan religious person
ahimsa non-violence
aksara letter
amerta immortal
amerta nectar
amra mango
ancala mountain
anda musk gland
Andoman Hanuman
anduwan foot chain
anéka all kinds of
anékawarna multi-coloured
anggota member
angka number, figure
angkara insolence, cruel
angkasa sky
angkasawan astronaut; broadcaster
angkasawati astronaut; broadcaster (fem.)
angkus elephant-goad
angsa goose
aniaya violation
anjangkarya working visit
antakusuma cloth made from several pieces
antar- inter-
antara (in) between
antarabangsa international
antariksa sky
antariksawan astronaut
antariksawati astronaut (fem.)
antamuka interface (of computer)
antarnegara international
anugerah (royal) favour
anumerta posthumous
apsari nymph
arca image; computer icon
aria a high title
arti meaning
Arya Aryan race
aryaduta ambassador
asmara love
asmaraloka world of love
asrama hostel
asta cubit
asta eight
astagina eightfold
astaka octagonal bench
astakona octagon
astana palace
asusila immoral
atau or
atma(n) soul

Tamil

acaram wedding ring
acu mould, model
andai possibility
anéka various, diverse
anékaragam various kinds
apam rice flour cake
awa- free from
awanama anonymous
awatara incarnation
awawarna blanched, decolorized

The Postwar Quonset Era

From: Quonset Hut: Metal Living for a Modern Age, ed. by Julie Decker and Chris Chiei (Princeton Architectural Press, 2005), pp. 84-87, 93-94:

The Quonset form [called kamaboko-gata in Japanese] rippled throughout postwar visual culture. It no longer needed explaining; it had become an icon unto itself. On television shows like Gomer Pyle, USMC, the action played out on a stage set dominated by the horizontal lines and half-circle forms of the Quonset. The Marx Toy Company, creator of the Yo-Yo, released a yellow "Construction Office" Quonset toy. Sherwin Williams, playing to the evolving market, developed, in conjunction with Stran-Steel, a special paint called Quon-Kote, whose can was festooned with rows of Quonsets. "Quon-Kote dresses up your Quonset, gives it a trim, well-kept look that is an important business asset." One can even find a lasting example of the Quonset influence, oddly enough, in an engineering textbook, where the Quonset was pictured with a halo of arrows and numbers. The typical exercise posited the situation thus: "You are to design Quonset huts for a military base in the Mideast. The design windspeed is 100 ft/s." Problem-solving questions included, "What is the net drag force acting on the Quonset hut?"

The Quonset seemed ubiquitous in any sector of public life; indeed, it even played a part as ideal fallout shelters in proving-grounds tests and elsewhere (e.g., in Palm Beach, Florida, a buried Quonset-type structure served as a temporary shelter for the vacation home of President Kennedy) as postwar peace and optimism were quickly overshadowed by the threat of atomic war. Indeed, Quonsetlike structures, designed by entrepreneurs like Nebraska's Walt Behlen, were even submitted to test atomic explosions at the proving grounds in Nevada. Civil defense officials were intrigued by the domelike profile for the same reasons as engineers—the way the wind, or the force of an atomic blast, moved across its surface.

On college campuses, where enrollment had soared as returning veterans took advantage of the GI Bill, Quonsets mushroomed as temporary classrooms and student housing. "It was a lifesaver for all of us because housing prices in New Haven were out of sight," one veteran told Yankee Magazine. "We had to wait three semesters to get a Quonset hut." In Kalamazoo, Indiana, the Quonset community was referred to as a "genteel slum"—one veteran remembered the walls being so thin he could hear his neighbor asking for bread. Another Quonset resident recalled the instant neighborly bonhomie that seemed to arrive with the huts. "We enjoyed our neighbors, had people to dinner and sherry parties, and a lot of drop-in visitors from the campus and from the neighboring college where I was still teaching ... We tackled the insufficiencies with enthusiasm." Bernard Malamud was said to have written a number of his short stories in a Quonset at Oregon State University in 1948. The writer Lewis Lapham's recollections of a job interview with the Central Intelligence Agency a year out of college involved a Quonset: "The interview took place in one of the Quonset huts near the Lincoln Memorial that had served as the Agency's temporary headquarters during World War II. The military design of a building hastily assembled for an urgent purpose imparted an air of understated glory, an effect consciously reflected in the studied carelessness of the young men asking the questions." ...

In 1948, a young political neophyte named Gerald Ford set up his congressional campaign headquarters in a Quonset (emblazoned with his portrait) in Grand Rapids, Michigan. ... Foreshadowing Bill Gates' garage founding of Microsoft, engineer William Bradford Shockley, in 1955, set up his fledgling and pioneering semiconductor company—the creative spark that ignited what would become Silicon Valley—in a Quonset in California, near Palo Alto. In 1947, a food company salesman named Jeno Paulucci opened his novel business—what would become the Chinese food giant Chun-King—in a Quonset near Duluth, Minnesota. Great Lakes actively pitched such uses. "You're in business Faster and for Less money with a Quonset."

Wordcatcher Tales: Kitchi Gammi, Nahgahchiwanong Adaawewigamig

While visiting family in Minneapolis over Spring Break, we made a long day trip up to Duluth and back. One of the architects (Oliver G. Traphagen) who designed many of Duluth's finest buildings during its boom years in the 1880s and 1890s came to booming Honolulu in 1898, where he designed many more notable buildings, including both heavy stone (Richardsonian Romanesque) buildings and the graceful Moana Hotel, the first hotel on Waikiki Beach. The last Honolulu building Traphagen designed before he moved to Alameda, California, in 1907 (to help rebuild after the 1906 San Francisco earthquake) was the Punahou School president's home.

Kitchi Gammi – Another far more famous architect who left his mark on Duluth and Honolulu, as well as San Diego, New York City, and many other cities, was Bertram Goodhue. In Duluth, he designed the Kitchi Gammi Club (1912) and the nearby Hartley Building (1914) on E. Superior Street along the lake shore.

The club name, Kitchi Gammi (15,700 ghits), of course, comes from the Chippewa/Ojibwe name for Lake Superior, gichigami (13,300 ghits) 'large lake', which Henry Wadsworth Longfellow spelled Gitche Gumee (98,300 ghits) and translated 'Big-Sea-Water' in "The Song of Hiawatha" (1855). Gordon Lightfoot used Longfellow's spelling in the lyrics to "The Wreck of the Edmund Fitzgerald" (1976).

The name Hiawatha comes from a legendary Iroquois hero, and the name of his lover Minnehaha means 'waterfall' in Dakota, a Siouan language. Neither name is from Ojibwe, or even the Algonquian language family. The minne- that occurs in so many Minnesota place names comes from the Dakota root for 'water', mní-, which has the same shape in the closely related Lakota language farther west, according to the New Lakota Dictionary Online. The Rum River, which empties into the Mississippi just above Minneapolis, also gets its name from a mistranslation of the Dakota name for Spirit/Mystic River (Wakpa waḳaŋ lit. 'River spirit'; cf. Waḳaŋ Taŋka 'Great Spirit').

Nahgahchiwanong Adaawewigamig – On the way back from Duluth, we detoured through Cloquet, Minnesota, to see the R. W. Lindholm Service Station designed by Frank Lloyd Wright in 1958 and now on the National Register of Historic Places. Then we stopped for a snack at Carmen's Restaurant just across the street from a convenience store and gas station emblazoned with the words Nahgahchiwanong Adaawewigamig and the logo of the Fond du Lac Reservation.

I asked a young man who worked there whether he spoke Chippewa/Ojibwe. He said he spoke some, and translated the name for me as "where the water ends"—the same meaning the Voyageurs rendered into Fond du Lac in French. The Chippewa/Ojibwe name for Fond du Lac is now spelled Nagaajiwanaang, and adaawewigamig just means 'store, shop'. Ojibwe speakers tend to create neologisms rather than borrow directly from French or English. By the way, the Chippewa/Ojibwe name for the St. Louis River, which empties into Lake Superior at Fond du Lac, is called gichigami-ziibi 'Great-lake River', the same ziibi that shows up in the various names for stretches of the Mississippi River, including gichi-ziibi and misi-ziibi in Ojibwe, both of which can translate into 'Great/Big River'.